Extension, by Andi O'Connor

Extension

by Andi O'Connor

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Extension (Red) (free) 07:15

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Score for Extension, a two channel audio visual installation created by Tess Landells for the Victorian College of the Arts Fine Arts graduate show in 2018.

Extension was exhibited at KINGS Artist Run from 06/04/19 - 27/04/19
www.kingsartistrun.org.au/program/extension/

Extension looks to the power of representation within the moving image. Focusing on the trope of the woman in the red dress, the two-channel video installation invites viewers to consider the way we actively/passively consume images. Found footage is used to contemplate the Hollywood archive and its fixed modes of representation. The women in red band together, marching in one looped video; equally as powerful and powerless in their predetermined fate. Beyond the barrier of their screen, Kate Bush, adorned in her red dress from her Wuthering Heights film clip, extends an invitation of a new order. Both the image of Kate’s body and the film body are unbound through choreography, replacing predictability and fixity with image(s) in flux. Offering a slippage in visual indoctrination, the viewer is invited to discard notions of the body within the psychoanalytic paradigm and instead surrender to the powers of affection.

Image: Tess Landells, 2018, Extension (red), two-channel video and audio installation, film still. Original score by Andy O’Connor

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released December 29, 2018

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about

Andi O'Connor Melbourne, Australia

Experimental sound artist from Melbourne.

I create sounds for contemporary dance works, video works, and installations.

I also play in bands like Mega Flora and Sandy Dish, and make music under my alter ego Juicy Velour

soundcloud.com/juicy-velour

Instagram: juicy.velour ... more

discography

Extension

Dec 2018
LIGHT

Oct 2018
Dual Process

Oct 2018
Untitled

Jul 2018
Sea Shadow

Apr 2018
Aerea

Jan 2018
oneSELF

Oct 2017
The Light Of Movement & Sound (L.O.M.A.S)

May 2017
The Line

Apr 2017
Boxes

Oct 2016
Human Together

Apr 2016
There Is So Much More

Jan 2016

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